The linen outfit and then PJs and a robe

What a klutz! I accidentally deleted a set of photos at Flickr (I still don't know how I did that) and they all disappeared from my blog. So I had to edit the last entry and stick them all back in there.

I would like to thank all those who have already commented on my last entry - you guys are great! I can't believe you are still lurking after all those months. And I have to say, I felt guilty for not blogging.

Rose, it is interesting that you used the word "neighbour" because I AM going to be in Florida in about a week and a half! Since my parents are at the wheel (literally), I probably won't be dropping in, but I'll think of you as I drive past DeLand! I am hoping the parental units want to spend some time on an Atlantic beach but really, anywhere is great. I also bought the Lonely Planet guide to Florida and am already making notes in it. DeLand is on page 387. :) I think I want to get further south and am still voting for the Keys.

Back to the linen: So the jacket calls for a bow in the back and while I don't think it is twee (I do love the girls over at Go Fug Yourself), I also don't think I am going to put one on this jacket. Maybe if the fabric was plain and draped a little more.

I put the collar on opposite to the instructions, so that the hand sewing of the facing would be underneath the collar, as it lay on the jacket when worn. Look at those tiny stitches! I've still got it.

This is the jacket inside-out and if you click on the photo and make it as large as possible, you can see that I have flat felled the seams. I didn't do what I often do, which is the modified flat fell, because then you would see strips of the right side of the fabric. I thought the inside of the jacket would look better if it all looked like the wrong side of the fabric, instead of with little patterned strips running all over it.

I also decided against using seam binding of any kind on the hems. Instead, I folded over the raw edge of the hem and then folded up the hem and hand sewed it in place.

Again, you'll have to make this photo larger, but I topstitched around the neck and armholes on the dress, to keep the facings in place.

It's just a plain, sheath dress but that style works on me.

Here's the little jacket. You can't see all the fabric that is in the body of it but the hem is practically a half circle. Now I just have to decide on buttons. The pattern calls for four and I am okay with that but I am wondering if I should make covered buttons in this same fabric?

Next: PJs! And a robe. My last bathrobe was a long corduroy thing that I made to wear at university in -- wait for it -- 1975! Yeowsers. Since I will be travelling with my folks, I thought I should have at the ready, a robe, because you know there is going to be at least one time where I am going to have to wander around in the night. At home, I don't even bother with PJs, never mind a robe but this isn't home. What if there was a hotel fire or something? Anyway, I wanted fabric that was light weight and yet patterned so that you couldn't see through it. I got this polyester that folds up into a small bundle so I can keep the packing light. I am going to put the shiny, soft side in and the less attractive dull side out.

Here is my robe pattern - the very one I used in 1975! It cost $1.35. I'm thinking I won't even put pockets on it to make it as small as possible when folded up.

I used this PJ pattern a couple of years ago and made shorts and the B view top for a summer bike holiday. I am going to use just the pants (shorts) in the same "leopard" print as the robe.

And I am going to use my trusty, tried-and-true Vogue tank top pattern for the PJ top. It doesn't have facings - just bias strips around the neck and armholes. My goal here is to have something I can wear to bed at night that will cover me up and yet not be restrictive or too hot (I am hoping Florida will be warm!) and the matching robe in case it is a bit cool. All of which should pack up into as small a bundle as possible.

I'm back sewing linen

I would like to thank all my die-hard fans who keep checking this moribund blog and wishing me well in the comments. Not only am I not dead, I am doing great! But I have not been sewing since July and so I haven't blogged since then.

In July, I sewed up a cotton jacket and skirt outfit for my trip to California.
You can read all about the trip here if you like.
There is even a photo of me wearing that jacket (I paired it with a dark blue denim jean skirt that day) in this entry, meeting with a fellow dog blogger (not a sewing blogger, sorry!) that day.

Of course, I trailed off the end of that travel blog too, and have not written about our last three days in San Francisco, where I bought a couple of remnants at Britex Fabrics, a very cool store. I even became a fan of the store on Facebook, even though I may never get back to SF. But they have a fun "button du jour" on FB and as you may know, on FB, you can ignore whatever you like!

I was thinking I would make nice tops to go under jackets, with these silks. The gold on the left is a stiffer dupioni type silk and the print on the right is a soft, charmeuse silk.

In the meantime, I never finished that "gala dress" I was making. It just failed to inspire me in any way. But since I have my "rule" about not making a new thing until the current thing is finished, I stared at the unfinished bodice hanging on my dummy, week after week. I only went into my sewing room to iron shirts and darn socks. I tried my hand at writing some stories (I am still working on those). I decided I was not willing to go back and teach only 6 hours a week.

In November, one of my neighbours fell while running and broke both ankles, so I volunteered to walk her dog for her every night. Then another neighbour went in for a total knee replacement and I volunteered to walk her dog every morning. So I've been doing that. The one with the broken ankles has healed up nicely and she has taken over walking her dog again. The other has a younger dog and I am still walking him for exercise around the park. It gets me up in the morning, I get a little exercise and then Kathleen and I sit and have coffee and solve the world's problems.

Then, at Christmas, my parents announced that they were going to drive to Florida this year and stay for the month of February. They were going to just drive down and see where they would stay, once they got there. They are really good travellers but Dad is 81 this year and so I piped up, "What would you think if I went with you and shared the driving?" In fact, they seemed to brighten right up and said they thought that was a great idea. So I am going to Florida for a month!

When am I ever going to have this opportunity again? Maybe never, so I jumped at the chance. Some people might think I am a little crazy for wanting to spend an entire month with my folks but we get along great when they come to visit here and we are all pretty low maintenance. I told a girlfriend about it and she told me that she had gone to Spain some years ago, with her parents when they were in their 80s and she never regretted the memories that she made, especially now that they are gone.

So I decided I needed to make a travel dressing gown but first, I fished some linen out of my stash and I am making a dress and jacket. Not sure if I will take them to Florida, as linen wrinkles but I am halfway through them now, so there you go.

I am using Vogue 8146 for the first time. The jacket is similar to the other swing-back jacket I made out of linen here. It is also unlined. And the dress is virtually the same as a McCall's pattern (8017) that I used for years and years - just a shift with some darts.

I have this big hunk of very pale green linen and I had thought the print and it might go together but not really. They don't clash, but it's not a brilliant match.
Back here I also made a dark navy linen skirt and short, unlined jacket and I think I had in mind that all the pieces would mix and match. The embroidered linen is quite different in texture from the other three, lighter weight linens but I think I may be able to to some switching of skirts.

There is something about that swing, pleated back that I really like!

I decided to sew quite quickly, in spite of it being a new pattern. I am finishing some edges with a simple zigzag fold.

But I should have used pinking shears on the long edges of the dress. I am not going to flat fell those seams (so I can let them out or more hopefully, take them in, if my weight changes) so I have had to zigzag all down the edges to prevent raveling. I also decided not to line the dress, as it sort of defeats the purpose of linen being cool. I will probably wear a short half slip if I feel there is any possibility of seeing through the fabric.

So there! I am sort of caught up to date with you, my readers. I am sorry I haven't blogged in SO long and there'll be another dearth of blogging while I am away in February. And in case you are wondering, yes, my long--suffering husband has to stay home and earn a living. But I will email him and Skype when I get internet access so the time will pass pretty quickly I think. All the best to you-all!

Not about sewing so much...

I'm kind of bummed. As you know, all last winter, I lay around the house feeling like death warmed over from the chemo. It was while I was lying on the couch, watching reruns of "The Dog Whisperer", that I conceived the idea of a reward holiday. I said, "I want a reward for going through this slow motion hell and I want to go to California and meet Cesar Millan!" And so our trip to California in August was born.

I wrote Cesar a letter, explaining my circumstances and wondering if I could meet him, or just his dogs if he wasn't going to be there. I wrote it on real stationery with a fountain pen, so it would stand out as well as look sincere. If nothing else, I AM sincere! I wrote it on the computer first, so I could redraft parts, so I'll include what I wrote at the bottom here. I had even seen that episode with the teenaged girl who got to see him about her dog because she went through the Children's Wish Foundation and since I am way too old for that, I determined that I would grant my own wish.

After a while and no answer, I went to his web site and to the "contact" page and sent my letter as an email. It was interesting that the contact pages asks for fewer than 500 words and I had only written about 360 to begin with (it was small stationery). At the contact page, there are drop down menus to identify the subject matter of your inquiry. The first one I choose was "The dog psychology centre" and the second one that arose from that had "Can I visit the D.P.C.?" as an option.

The next day, I got this response by email:
"Thank you for contacting the Dog Psychology Center. This is an auto-reply.
We appreciate your interest in Cesar and the dedicated staff at the Dog Psychology Center. Unfortunately, at this time, the center is not open to the public, and no visitors or tours are permitted on the grounds."

Well, I do understand that he must get millions of inquiries every year and that there are lots of crazies out there (I have seen some on his show!). But this is why I am bummed, because the entire impetus for going to California (as opposed to say, Spain to watch Lance on the Tour this year) was to see Cesar and tell him how much his show meant to me last winter. *sigh*

Here is my original letter:
"I am writing to see if I may visit the Dog Psychology Centre and meet you. I checked your web site and there are no "public tours" that I can see, so I realize this sort of visit would have to be arranged particularly for me.

This last winter, I was having chemotherapy for breast cancer and I found myself lying on the couch every day at 5 pm, watching "The Dog Whisperer" on the National Geographic channel. I'd seen all the shows before but I watched them again anyway because I love the message that is in each episode and I think you are a genius when it comes to dogs. I also had finally come to understand what you mean about the energy that people have and how it affects dogs. When I was first diagnosed and I told people, I would often feel a wave of negative energy coming off them, in the form of fear and pity. It was very interesting to see how I became so attuned to feeling energy and that's when I clicked with your message in the show.

So there I was, lying on the couch, enduring until I finished my treatments, and I turned to my husband and said, "when I am done this, my reward will be to go to California and meet the Dog Whisperer!" I know kids can get such things through the Children's Wish Foundation but as someone past 50, I will have to give this wish to myself. Now we have booked our tickets and we will be spending some quality time with wine and food in Napa, seeing San Francisco, driving down through Monterey and ending up in Los Angeles on August 17-19. I am hoping you will be in town at that time because I would love to meet you. But even if you are not, I would like to visit the Centre and meet some of the dogs I have seen on your show, like Junior, who must be fully grown now!

Please let me know if it will be possible for us to visit the Centre in August."


I'm only posting this because I'm a bit blue about the results of the inquiry and I hope by getting it off my chest (pun?) it will make me feel better.  It would have been great to visit with Cesar, or his lovely wife, or Daddy or Junior. I know, I should just get a dog already! Soon...

More sewing shortly!

Gala dress muslin creeps along

Here are the French seams.

First you have to sew the pieces together, wrong sides together, with a seam allowance of about 1/4 inch. Then you trim the raw edges down to less than 1/4 inch. Then you iron the seam and fold the pieces with the right sides together, encasing the raw edges.

Then you sew the seam again, at about 3/8 of an inch, so you get the full 5/8 seam allowance, with the right sides together, so you end up with the raw edges enclosed in the seam itself.

Here's what it looks like, finished and pressed, from the right and the wrong sides.

The bodice is gathered where it meets the midriff and from what I learned with the prom dresses, I now gather by hand. I simply sew a long, running stitch along the gather line and it is just easier to gather up than a machine sewn line.

The bodice also gathers into the yokes that form the shoulders. This is the back, which has a Vee where the yokes meet the gathered part of the bodice. I've got one of the yokes up and one down, just to show the construction a bit.

I am also noticing that I am going to have to be a lot more picky when I make the real gala dress. I put the ruler in the photo because the stitching line is supposed to be 5/8 inch (1.5 cm) from the end of this point on the yoke and from each edge and I am out of alignment. I think I will have to make accurate tailor tacks on the real dress, to ensure that the dots all line up.

This looks like a jumble of pieces (there are three) all coming together at one point.

Here is the bodice with the yokes coming together at the gathered parts from another angle. This time, I have got the yoke facings sew on as well, so now I have all sorts of pieces all converging.

I have sewn the yoke facings down by hand on the inside. This is what the bodice looks like, draping on the judy, from the back.

Here is the bodice from the front. It looks like the Vee in the front will be quite low. I am not sure if this will be too low. For this dress (muslin), should I wear it, I may have to put a triangle of fabric in the front, like a camisole - or just wear a camisole under it. I am now thinking of how I would alter the pattern to prevent this from happening when I make the real dress. I can't just hike it up at the shoulder seams because then the midriff will be too high. I want the seam line where the midriff meets the bodice to be right at the bra band line.

The gala dress muslin

Remembering the 52 people killed in London on this day, 4 years ago.
It rained on and off all day too, which I always find appropriate. And since it was raining, I didn't even go out at all. I got some reading done and then I cut out the muslin. It was easy because I didn't cut a single layer but allowed the fabric to be double thickness, saving myself a lot of time and fussing. And I didn't use pinking shears, as all the seams will be finished in some way.

Then I fused on the interfacing to the yoke and midriff. I may go with sew-in interfacing on the actual dress, depending on the fabric. I often find fusible interfacing eventually bubbles in some fashion. I looked at the over-all colour of the fabric and decided on the ocher colour for the thread and zipper. It was a toss up, really, but I figured the ocher colour was the most muted and least likely to stand out.

I have started to stack up the pieces to be sewed together. You can't really tell from this photo but the instructions call for french seams and I have pinned the pieces together, wrong sides together. That always goes against the grain (whoo, all these sewing metaphors!) as the pieces are usually right sides together. I have to double check each one before I stick it under the needle and get going.

Starting something new (finally)

I have given up (for now, at least) on the blue coat.

I noticed that the front (interfaced) edges curled in. This made me avoid working on it, as I knew I was going to have to do something to fix it.

I decided to hem it, to see if this would help. I finished the raw edge with seam binding and sewed it up by hand. The lining hangs free all around the bottom.

I even sewed on a little bit of seam binding on the raw edge of the facing.

I hemmed up the sleeves and had to cut off several inches. When I hung it on my judy it became clear that the fabric was sagging. In this photo, I am holding up the waist seam and the curved-in fabric on that side corrects itself. I have therefore given up for now and won't continue to struggle with this. In fact, I wasn't so much struggling as avoiding. It seems a shame to put so much time into something and then pitch it. But it is a good lesson for me, not to buy mysterious cheap fabric. The clothes I have made recently that I wear a lot and love to wear are the ones I made with quality fabric or at least known quantities, like 100% cotton that I washed and dried and it survived.

So! In the meantime, I have become a volunteer member of the board of Breast Cancer Action and they have several fund raising events, one of which is a Gala in November. So I went looking for patterns!

After seeing the same dress over and over in other books, I got this pattern from Vogue (V1086). It is a designer (Tracy Reese) pattern but it seems quite straightforward. It has the things they keep mentioning on "What Not To Wear", such as a high midriff and a skirt that floats away from the body. Of course, I was seduced by how lovely this model looks and I will never be that thin, but it might still work well on me.
Her dress appears to be made of batiste and as such, it is not as "fancy" as a gala dress. But I wanted to go short, not long, and I had had enough of the red carpet type dress after my last creation! It may be, after I make the muslin, that I will think the pattern itself is not fancy enough but time will tell.

Now in spite of what I just wrote about mystery fabric, I got some $3/yard stuff in pure polyester but that is to make the muslin for this pattern. It is even possible that I might get a wear or two out of it, if it turns out to fit me and doesn't look too horrible. But the main goal is to fit the pattern properly.


In spite of the polyester pansies, this fabric actually doesn't feel too bad and the weight is probably good for whatever, better, fabric I end up buying. Which will probably be at
Darrell's.

I like the fact that it looks like there is a fair bit of detail in the dress, even though it should not be that difficult to sew. The bodice is gathered which is nice for ease and so is the skirt. The most fitted part will be the midriff and the shoulders, which are yokes. It has a side, invisible zipper so it does not pull over the head.

There's only one version of the dress, so I will be using all the pattern pieces, and there aren't that many of them.

The only interfacing is in the yoke, on the pieces that you have to cut four of, and the midriff, which is double thickness.

I have pinned the midriff to the judy and I think I will cut on the safe side, at size 14, and then take in where necessary. I have to say, it is a relief to have decided to move on to something else, even if it does violate my "Rule" about having no UFOs.

Working on the blue coat (still)

Why does my life seem so busy and I am not even "gainfully employed outside the home"?

I have been working back on the blue coat since I finished the dresses but I still have not managed to finish it yet.

I finished putting the lining pieces together and then attached the lining to the coat.

Then I machine sewed seam tape to the hem and hand sewed the hem up. I am doing it this way because the lining hem is not going to be attached to the coat hem - it will float separately because of the pleat in the middle of the back. I have to press the heck out of it now and finish the lining hem. Next will be some top stitching and then the buttons and I'll be done.

Matching purses

At last! I can allow myself to think about something ELSE.
I spent all day Sunday (off and on) sewing up the two matching purses. So cute!

It is almost like making baby clothes, because they are so small. But there is still a fair bit of construction. I used Butterick 6371, the middle silver purse on the right.

It calls for buckram on the bottom oval piece but I used two layers of the hair canvas (because I had it) on both the lining and the purse oval pieces. So there are six layers on the bottom, which is still one less than in the bodice of that dress!

I cleverly discovered that my pressing ham is the perfect size and shap for pressing out the side seams on the purse.

The bottom looks complicated with all the pleats and easing the sides onto the oval, but it is surprisingly easy.

There is a layer of quilt batting between the outside and the lining but it is just held in around the edges or the seams - there is no actual quilting going on.

Once you have the inside and outside done and the handles attached to the outside, you put the lining inside and sew it around the top edge.

The oval piece on the lining is supposed to be made out of lining fabric but I used the outside fabric for a fun, finishing touch.

And there they are!