Sarah asked last time if this fabric was boucle. My immediate reaction was, "lovely, expensive fabric could never be boucle!" and so I went to the dictionary to look up what it meant, exactly. As I discovered, boucle merely means "yarn with loops producing a rough, nubby appearance on woven or knitted fabrics, or a fabric made of this yarn". So why the negative reaction? I would probably have to undergo hypnosis to know exactly, but I bet it came from somewhere in the 70s, when I was told a certain kind of fabric was boucle and the stuff I was looking at was something horrible and polyester. Like double-knit. I suppose there may be decent double-knits now (I don't know) but forever in my mind, it means something oddly coloured and polyesterishly oogey. Likewise with "boucle". (I have discovered over many years that it is part of my unique brain function to adopt weird word definitions that don't always bear a great resemblance to the norm.)
You can see from this close-up of frayed fabric that the threads in the weave are not uniform. There are bulky, wooly threads every so often that give the fabric its three dimensionality. But they are not loops.
Back to the skirt which is now finished. I decided to cut off an inch from the bottom and hem it up an inch and a half, to make it hit mid-kneecap. I also decided not to use seam binding on the raw edge. I think I thought it would be more subtle and less noticeable without seam binding, although since no one sees the inside of the hem anyway, I am sure I don't know why I considered this. I zigzag stitched all around the new cut edge on the hem and then turned it up and sewed the hem by hand.
After I attached the lining to the jacket all around the edges of the lapels and collar, I wanted to make sure the edge was as sharp as possible when I turned it right-side-out. I ironed open the seam first, after I trimmed it. Ironing the seam open pushes the seam itself right to the outside of the fold. Normally, if you just turn a garment right-side-out and try to press the edge of the lapels after it is turned, you will get some of the fabric dipping down into the seam. Then, you have to try to pick that fabric out of the trough formed by the seam. Press first and you won't have to do that.
When I hemmed the jacket, I first zigzagged the raw edge of the hem and then turned it up. Because the fabric is so loosely woven, it is simple to ease in the excess fabric in the hem, as I pin it to the jacket. After hand sewing and pressing, I don't have any tucks or bumps in the hem.
I still have to sew the puncture-proof lining to the jacket hem and hem the sleeves in the same way. Buttonholes and it's done!