Steaming ahead (literally)! There's a powerful lot of ironing in this jacket -- all those flat felled seams and pockets and things.
I always haul a previously made jacket out of the closet so I can look at it, more than the instructions even. This is one I get a lot of wear out of, made of a pale lilac pinwale cord.
Here are all the pieces ready to be assembled, after I have ironed on the interfacing. I decided to go with the black interfacing, to be one less colour in the palette. The interfacing occasionally shows, like when the front facings flip out in a wind or something.
Here are the pieces as I've started to assemble them. I've made this jacket so many times that I can assemble it out of order (and practically from memory) so that I can make it fairly quickly, sewing a pile of pieces and then ironing them all at once.
These are the two seams on one half of the front and I'm ironing them over after I've clipped one of the seam allowances, so I can make the flat fell. Onwards!
In which I make some clothes, expound on the virtues of the flat fell seam finish, and proclaim "you CAN sew your own clothes, and even wear them in public".
Sunday, November 30, 2008
Saturday, November 29, 2008
Another Jean Jacket
I do apologize for not blogging in so long. I have a lot going on in my other life right now.
After I finished my last project - which I have worn quite a few times now! - I decided I would make up this fine wale corduroy I had in the stash.
I got it with another jean jacket in mind (and because it was on the sale table of course). It is a print and the contrast between the black and green makes it look intense. Because it is SO green, I thought it would be cute for wearing at Christmas with something red. Or black.
Since it is a print, I have had to cut out each piece of the pattern (my old tried and true Vogue 7610) in one layer only, so I can make sure the lines of houndstooth print are all straight. I am just glad they are tiny enough that I don't have to think about trying to match them vertically or horizontally. It was fairly tedious and made my back ache, bending over the table like that for hours. Or what seemed like hours. Anyway, it is all cut out now except for the interfacing and now I can finally assemble it.
Working on this jacket has got me to thinking yet again about this jacket I cannot find but want to make. I have it in my head that I saw a photo of such a jacket in a Laura Ashley catalogue back in the 80s. My sister used to work there - they had a store right here in Ottawa with the most beautiful home dec fabrics and the clothing too. I even sewed for patrons of the store who wanted stuff that I called "soft furnishings for the home" made but couldn't do it themselves. Anyway, I only remember this jacket from this one catalogue. They had such beautiful stuff back then, when it was still family owned. Something has happened to them in the last 10 or 15 years and they aren't the same at all.
This imaginary jacket was a dark green wool, hip length jacket that might possibly be called Edwardian. Except when I look up Edwardian jackets, they don't look at all like what I have in my head. So I have decided that after I finish this jean jacket, I am going to design my imaginary jacket. It will be a first - I have always used patterns. And I will use pieces from my existing patterns to help me. But I am quite excited about this! I will make a muslin too - another first for me. And when I am ready, I plan to go see what Darrell can find me in the way of a beautiful fine dark wool tweed. Mmm, I can taste it already.
After I finished my last project - which I have worn quite a few times now! - I decided I would make up this fine wale corduroy I had in the stash.
I got it with another jean jacket in mind (and because it was on the sale table of course). It is a print and the contrast between the black and green makes it look intense. Because it is SO green, I thought it would be cute for wearing at Christmas with something red. Or black.
Since it is a print, I have had to cut out each piece of the pattern (my old tried and true Vogue 7610) in one layer only, so I can make sure the lines of houndstooth print are all straight. I am just glad they are tiny enough that I don't have to think about trying to match them vertically or horizontally. It was fairly tedious and made my back ache, bending over the table like that for hours. Or what seemed like hours. Anyway, it is all cut out now except for the interfacing and now I can finally assemble it.
Working on this jacket has got me to thinking yet again about this jacket I cannot find but want to make. I have it in my head that I saw a photo of such a jacket in a Laura Ashley catalogue back in the 80s. My sister used to work there - they had a store right here in Ottawa with the most beautiful home dec fabrics and the clothing too. I even sewed for patrons of the store who wanted stuff that I called "soft furnishings for the home" made but couldn't do it themselves. Anyway, I only remember this jacket from this one catalogue. They had such beautiful stuff back then, when it was still family owned. Something has happened to them in the last 10 or 15 years and they aren't the same at all.
This imaginary jacket was a dark green wool, hip length jacket that might possibly be called Edwardian. Except when I look up Edwardian jackets, they don't look at all like what I have in my head. So I have decided that after I finish this jean jacket, I am going to design my imaginary jacket. It will be a first - I have always used patterns. And I will use pieces from my existing patterns to help me. But I am quite excited about this! I will make a muslin too - another first for me. And when I am ready, I plan to go see what Darrell can find me in the way of a beautiful fine dark wool tweed. Mmm, I can taste it already.
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