Not another pink jacket!?

So there I was, having finished the reversible pink jacket, wondering what to do next. I got out my new Badgley Mischka pattern, thinking I would use it to make the raw silk fabric that I've had for ages, into a Chanel-like jacket.

I even got new fabric, so I could make it the first time without using expensive or coveted fabric and not worry about having it turn out poorly. But the idea of the stand-up collar didn't sit well with the loose, scratchy silk fabric.

Then I found myself thinking ahead to the weekend, when we are attending a wedding. It's not like I have nothing to wear! I got out the linen dress and jacket I made last year and wore at the Pink Tea. I wasn't happy about how high the slit in the back went. At the time, I sewed it down so it wasn't so long. But I felt nervous about what might happen if I bent over - would my underwear show?

So I jury-rigged a box pleat over the open slit.

I cut a piece of fabric about 16 inches wide, so it would form a deep pleat in the back. I figured out how to attach it to the existing opening.

And now my dress has a nice big pleat in the back!

Something prompted me to pull out my well-used vest pattern and I dug out the little bit of left-over pale blue wool from the suit I had just made. I knew when I cut the suit out, that I had just enough fabric for a vest. It might be a bit 80s but I don't care - I really like a vest as it gives me a bit of extra coverage and warmth without being a whole jacket.

And vest are such fun to make! Almost like baby clothes, because they are small and fast.

I even made real, working welt pockets, just for fun. When I made the suit, I speculated about brass buttons but ended up with clear plastic which I still like. I got out a treasure trove of metal buttons I have to see if they might work on the vest. I don't think the gold works but the silver might. I only have one of the silver button that I do like (third from the left at the top - I used them on another wool vest I wear a lot), so I'll have to go shopping. Making that vest reminded me that I had just enough orange wool to make another vest so I pulled out the wool, the raw silk, the lining I had bought for the silk, and some other pieces that might serve as vest lining. Another embarrassment of riches! I got out the first and only jacket I have made with New Look 6619. Tried it on and it fits nicely. So I made a command decision to cut out the silk and be done with it. I got the lining a couple of years ago at Darrell's, specifically with this silk in mind. It is substantial fabric in some man-made fabric (acetate or polyester, I can't remember), and funky fun with the print on it. As I was cutting, I realized it would work equally well with the orange wool for lining.

Here is the original plan, with the silk and the printed lining.

And here is the jacket body, on the judy. I have fused interfacing to the entire front and around the back neck edge. The fabric is a loose weave so it will benefit from this. I have already started to sew the lining pieces together. As Hannibal Smith used to say, "I love it when a plan comes together."

Red linen dress and jacket

Into the home stretch! I have to wear it in two days, so I'd better be getting finished. On the Friday, some of us going to the charity event went to choose jewelry for our outfits. A jewelry designer (Karen McClintock) is showcasing her work at the charity event and some of us at BCA get to wear pieces as models. Our Executive Director found the perfect piece of clear gold Swarovski crystals necklace with matching earrings and bracelet for my outfit. I can wear the bracelet to good effect because the sleeves on the jacket are three-quarter length. I'll try to get photos on Thursday, of the whole ensemble.

Here's the dress, with the lining and the facing, ready to sew together. I wanted the lining to end up with the wrong side of it touching the wrong side of the dress and the black facings on the inside of the dress where they belong. I was successful!

Here, I've sewn them all together and I'm reaching under the facing to pull the individual dress back pieces out through the facings. Looks like a weird glove, but it's not. Also, I didn't realize how hairy my arms are! I should take a loofa to them.

Once I had turned the dress right-side-out, I put it on the dummy to ascertain how I should fasten the side seams together. It all worked out as I had imagined.

I pinned the dress (linen) side seams together and continued pinning down the sides of the lining, catching the black facings in with the lining. Then I sewed all down the sides of the dress and the lining in one go.

Rather than top stitching around the facings, I under-stitched them so they would lie flat and not creep out from under the dress. There's more under-stitching in a minute.

Once I got all the pieces of the dress sorted out, I put the zipper down the back, leaving the facings and lining free. Once the zipper was in, I sewed the bottom of the back centre seam on the lining and hand sewed the edges of the lining to the zipper tape, enclosing the raw inside of the dress in the lining. I've also hand sewed the hem but still have to tack the lining to the dress at the one side seam split I left for freer walking.

I decided I would go ahead and make unlined pockets for the jacket. I had a couple of small pieces left over - scraps really - and just enough for pockets.

Ironing those rounded corners can get very tricky without burning your fingers so I hold down the fabric with pins, do an initial press and then take the pins out and press the pockets and pound them with a clapper.

After the pockets were sewn onto the jacket, I sewed on the black facings. The jacket is considered to be unlined, but it does have a little bit of lining at the front and a bit around the back of the neck.

Here, I am under-stitching the jacket facing. I am using black thread top and bottom so it doesn't show any red on the black linen facing. I switched to red thread for the part around the back of the neck. The spot shown here is where those seams meet at the shoulder.

Now, I have basted the lining and facing bits to the jacket at the armholes, in preparation for inserting the sleeves. I have also flat felled all the seams that will show on the inside of the jacket, including the sleeves, even though I wouldn't roll the sleeves up or anything. I just like to know that when I take off the jacket, if someone sees the inside, it will be as nicely finished as the outside. The hard part left is finishing the armscye seams with the flat fell. I've done it before - that's why I know it's difficult.

Red linen dress

I have been cutting and cutting and marking and pinning. Now I am sewing.

I am doing my usual "assembly line" procedure, sewing all the preliminary bits like darts first. I also have to switch back and forth between red and black thread, because of the facings.

Right now, I am taking a break to imagine how I will attach the lining into the dress. The pattern does not call for lining the dress. And it calls for this one piece facing where you have to pull the two back pieces out through the shoulders, in order to turn it right side out. I think I will attach the lining to the dress, right sides together, at the shoulder, and sew the shoulders together with all four layers sandwiched together. Then I will attach the facing as instructed and pull everything out through the shoulders, following the plan. Once I have that accomplished, all the long seams (sides and back) will be free and I can sew the lining seams, right sides together, and the dress seams, right sides together, and then when they are done, the dress should be all lined nicely. It's a theory! I'll let you know how it works.

Figuring out Chinese characters

Yesterday, I took a photo of the gold character on the fabric and ran over to my friend May's house and asked her to tell me what it was, or at least, which way was up.

The gold one seemed to me to be the most legible of the three large characters, so I thought I'd make sure it at least, was right side up. I had already pinned the dress pattern pieces on the fabric and had made the assumption that the three strokes with the vertical line were at the bottom of the character. May looked at it and said she wasn't sure what it was exactly, but she was pretty sure that the three lines would be at the top of the character, not the bottom.

Later, May came over with a book of Chinese characters and I spent some time poring over them. It is possible that the gold character is "biao" or "manifest" (show), although I don't know why that would be on fabric. I think that fabric is more likely to have zodiac characters, or words like "love" or "soup". [This is a reference to one of my favourite shows "Big Bang Theory" and the episode in which Sheldon asks Penny why she has a tattoo of "soup" on her hip. She says it is "courage", not "soup". It is discussed more here and someone has even posted a GIF of the two characters here.]

I couldn't manage to get the pattern pieces for the jacket with the pleat in the back to fit on the fabric, after I had pinned the dress on, even when I eliminated the pleat. So I went with a tried and true pattern, Simplicity 4698, which has lots of smaller pattern pieces that I can juggle around.

I managed to squeeze them all on there. At least, I got the main pieces on.

I knew I wasn't going to be able to get them all on, so I bought some black linen for all the facings. I am making the jacket with no collar but it has large front facings. Also, the dress has facings all around the top edges. I toyed with the idea of red linen facings but thought the black would make a nice contrast and then I wouldn't have to match the red. I also bought plain red lining as I have decided it will be best to line the entire dress. It kind of negates the point of linen being worn when it's hot but this is pretty substantial linen and I think the dress will hang much better lined.

Finally, instead of a back vent, I am going to make a side slit at the bottom of the dress. I made a back vent the first time I made this dress (last January, also in linen) and I wasn't happy with how it rode up when I bent over. I know I can just avoid bending over, but with the Chinese fabric and everything, I thought a side vent or slit would work.

Wool suit

I am doing pretty well in the fabrication of the suit.

I decided on this skirt pattern, even though it is a-line and the fabric has stripes. It is a comfortable skirt, easily lined and wears well.

I got all the pieces cut out. The skirt has four gores and two pieces for the yoke and then there's the lining. The jacket has lots of pieces! Each sleeve has two, the back has four, there are facings and the collar, and then there is the lining.

I'm making the patch pockets as I did for the red wool of the same pattern (see previous entry). I may have just enough of this blue wool left over for a vest but that will wait until I get these main two pieces finished. I found my "old" (1995) inspiration book for vests recently (I was hunting for printer paper) and suddenly, I am motivated to make more vests. I have quite a few already but I do wear them, especially when I'm wearing a dress shirt with a skirt. A vest adds a layer of warmth without being as warm as a whole jacket.

I have the body of the jacket done and the sleeves are ready to attach. The gores of the skirt are sewn together and I discovered that I had a matching skirt zipper in my stash, so I don't even need to go out for that. The only thing I'll go buy for this will be the buttons - I don't think I have anything that will work, although I will check of course. I wonder if brass or gold buttons would work?

Working on the blue coat (still)

Why does my life seem so busy and I am not even "gainfully employed outside the home"?

I have been working back on the blue coat since I finished the dresses but I still have not managed to finish it yet.

I finished putting the lining pieces together and then attached the lining to the coat.

Then I machine sewed seam tape to the hem and hand sewed the hem up. I am doing it this way because the lining hem is not going to be attached to the coat hem - it will float separately because of the pleat in the middle of the back. I have to press the heck out of it now and finish the lining hem. Next will be some top stitching and then the buttons and I'll be done.

A hat

I'm rummaging around my sewing room, looking for things to make, fabric for some more bags as the last set were pretty popular. I spied the messy purple fabric I made a coat from last year and remembered I thought I could make a tam out of it. This time, I have a pattern which includes a tam but I have it in my mind that a trilby style hat would work and I have a pattern for that too.

I'm using McCall's M5773 and decide to go with view F, the blue one with the brim. Actually, I really want to make view E in the red, using the red boiled wool from that jacket I recently finished. But I figure the purple wool will serve as a template and I can pitch it if I don't like it.

It's very simple and I use some cream coloured lining scraps I have for the inside.

I decide to interface one side of the brim, even though the pattern doesn't cal for it. This wool is very loose and I figure I can't go too wrong with interfacing.

I get the crown of the hat put together and try it on and it's HUGE. I think it's the fabric, more than the pattern, so I take up one half of the crown seams by another 5/8 inch and it seems to work better. I sew the interfaced brim to the outside of the hat.

I sew the lining to the other brim. Then I sew the hats together at the edge of the brims, leaving a small opening to turn them right side out. The hat sheds mightily each time I hold it.

After I turn the hat, I sew around the brim, first to seal the open edges together, then to add rigidity to it, with a line of stitching about 1/4 inch from the edge stitching and one around where the lining joins the brim, to keep the lining at bay. It's not brilliant but it's okay and gives me hope that the red one will look better. And now of course, I have "the ensemble", with the coat and the hat. Hmm. At any rate, it is covering up my bald chemo head and that's the main thing. You can just see that I am wearing a blue skull cap under the hat. When I have hair again, it will fit over the the hair too.

Red, boiled wool jacket

Everything is cut out, the interfacing applied and I have started to assemble the jacket.

Here's the lining. It's polyester (most lining is that or acetate) and substantial so I think it will serve as a bit of a wind break. You won't see it unless I flash the inside of the coat but it's fun to know it's there.

The jacket will be fully lined - sleeves, body, pockets.

I am trying to decide how to make the back yoke. The pattern instructions call for the inner layer of the yoke to be the same fabric as the coat, so I have cut out two wool yokes. I also cut out one lining yoke on speculation. I think it will act as a wind break, sandwiched between the two wool yokes (which are more porous than the polyester lining). My conundrum is whether to put the lining on the inside layer instead, so the entire inside of the jacket is lining. Will the wool yoke drag on a sweater worn beneath the jacket? Why would the pattern makers call for the yoke to be made of wool on the inside, except for warmth? Will I screw up if I put the lining on the inside?
If no one has ever done this and I don't get any answers to my conundrum, if in doubt, I will do it the way the pattern says.

Here is my assembly line for some of the small pieces. I have made the "welt" pocket flaps and they are ready to be topstitched. The things on the machine are the sleeve tabs which then need to be turned right-side-out. I parked the red thread there because I have fifteen shades of red and I am using up some brighter stuff first, before I start the shade I bought for this fabric. And that's a good reproduction of the way this red looks - nice and red, tomato red. Not the pink-red you see in some pix.

Here's the welt for the pocket sewn on and there are two pieces of pocket lining that I have sewn on and tucked behind it. The slash pocket is right in the front dart - interesting.

Here are all the layers for the back at the yoke. There is the back, its deep pleat, the band (folded in two) and the yoke. Six layers in two places.

Here's the back from the outside, before it is pressed. Too pink by half. Onward!

Navy linen outfit

Forging ahead. But first, I had a question on an old post about sewing skirt linings to the zipper tape. On the recent linen skirt and on the one I am making now, I will hand sew the lining to the zipper tape.

This is not complicated and in fact, it is easier except for the time it takes, than machine sewing. I like machine sewing because it never lets go. Sometimes, in my hand sewing the original knot will come undone or something and then I have to re-stitch. But you don't see the stitching from the outside and it is more elegant.

When I machine sew my lining down, I pin it from the wrong side and then sew it from the outside, running the line of stitching down the original line where the zipper was sewed in the first place. You can see this on the outside of this peach skirt - the two lines of stitching, one on top of the other. The trouble I run into with machine sewing is that sometimes I miss catching the lining on the inside and then I have to either sew it a third time or do it by hand.

On this navy skirt and the previous linen skirt, the pattern called for the use of grosgrain ribbon at the top instead of a facing. I also decided to line the skirt which is a simple enough thing to do.

Once the ribbon is sewn on, you just trim the seam and fold it over and tuck in the raw end of the ribbon by the zipper. I haven't worn the linen skirt yet so I don't know if the ribbon might feel uncomfortable at the top, especially as this is a high-waisted skirt but since it is high-waisted, I plan to tuck in whatever shirt I am wearing so I hope it won't be an issue.

I decided to set the sleeve in first, before I sewed up the underarm seam, because it is generally a little easier to get it in flat that way.

Then I trim the seam and sew on the double fold bias tape to finish it (since there isn't a lining with this jacket). I am using purchased tape because it is easier to let some machine in a factory make it uniform and nicely folded. But they only had one package of navy when I bought it and I think I will have to go back for a second package because, now that I am doing the sleeve this way, I might as well put seam binding all the way down the entire underarm seam including that of the sleeve as well. Of course, you can't do any of this if the sleeve seam doesn't match the side seam of the body of the jacket.

There is a white ribbon tied at Rose's waist and you can see that this jacket, while not a bolero length, is short. That's why I went with a high-waisted skirt.