Red dress success!

I was really pleased with the outfit (and it was comfortable!) and got lots of compliments on it. The Taiwanese folks at the residence were kind enough to tell me that the large gold character probably was "horse" and it was right side up, even if they thought it might be a mirror image. The jewelry I am wearing was created by Karen McClintock and worked perfectly with the outfit. Each earring is one of the square Swarovski crystals that make up the necklace and the bracelet. I couldn't afford all the pieces and frankly, I hardly ever wear necklaces and bracelets. However, I did buy the earrings and I do wear earrings all the time. They were over $100 with tax.

Here is a bit of a close-up. This photo was taken using my little camera by a local photographer who does charity events like this, Frank Scheme. He has posted his pix over at his website.

Let me just back track a little. Here, I am flat felling the armscye which can get tricky when the fabric frays or is too stiff. I was lucky that the linen, while substantial, was not that thick. I have done this with denim, so it isn't too horrible. [I went to dictionary dot com and discovered I have been mispronouncing "armscye"! Horrors. I have been saying arm-ski, when it should be arm-sigh.]

I decided instead of just turning up the sleeve hems, I would do a sort of couture hem, even though no one but me would ever know it is there. I used a strip of the black linen...

... which I machine sewed to the raw edge of the bottom of the sleeve. Then I ironed it up and hand sewed the folded edge of the black linen to the sleeve.

I remembered I had a single large brass/gold button leftover in my collection and it even had a sort of Oriental look to it. It works well.

I look a little glassy in the flash! But I'm really not. And I see I will eventually have to do something with that dark front tooth. I fell off my bicycle when I was 8, scraping my face down the pavement. The tooth bled into the enamel and made it darker than the others. On the other hand, I am aging all over and getting a bit of a chicken neck and age spots, so I have to ask myself if I care about the tooth.


Here are a couple of more pix from the event. It is graciously held at the residence of the Taipei Economic and Cultural Ambassador, Dr. David and Mrs. Lin Chih Lee. They even feed us while we are there. We have a silent auction too. Mostly, I like it as a social event that raises awareness but also provides an excuse for survivors getting together. All in all, a success.

Red linen dress and jacket

Into the home stretch! I have to wear it in two days, so I'd better be getting finished. On the Friday, some of us going to the charity event went to choose jewelry for our outfits. A jewelry designer (Karen McClintock) is showcasing her work at the charity event and some of us at BCA get to wear pieces as models. Our Executive Director found the perfect piece of clear gold Swarovski crystals necklace with matching earrings and bracelet for my outfit. I can wear the bracelet to good effect because the sleeves on the jacket are three-quarter length. I'll try to get photos on Thursday, of the whole ensemble.

Here's the dress, with the lining and the facing, ready to sew together. I wanted the lining to end up with the wrong side of it touching the wrong side of the dress and the black facings on the inside of the dress where they belong. I was successful!

Here, I've sewn them all together and I'm reaching under the facing to pull the individual dress back pieces out through the facings. Looks like a weird glove, but it's not. Also, I didn't realize how hairy my arms are! I should take a loofa to them.

Once I had turned the dress right-side-out, I put it on the dummy to ascertain how I should fasten the side seams together. It all worked out as I had imagined.

I pinned the dress (linen) side seams together and continued pinning down the sides of the lining, catching the black facings in with the lining. Then I sewed all down the sides of the dress and the lining in one go.

Rather than top stitching around the facings, I under-stitched them so they would lie flat and not creep out from under the dress. There's more under-stitching in a minute.

Once I got all the pieces of the dress sorted out, I put the zipper down the back, leaving the facings and lining free. Once the zipper was in, I sewed the bottom of the back centre seam on the lining and hand sewed the edges of the lining to the zipper tape, enclosing the raw inside of the dress in the lining. I've also hand sewed the hem but still have to tack the lining to the dress at the one side seam split I left for freer walking.

I decided I would go ahead and make unlined pockets for the jacket. I had a couple of small pieces left over - scraps really - and just enough for pockets.

Ironing those rounded corners can get very tricky without burning your fingers so I hold down the fabric with pins, do an initial press and then take the pins out and press the pockets and pound them with a clapper.

After the pockets were sewn onto the jacket, I sewed on the black facings. The jacket is considered to be unlined, but it does have a little bit of lining at the front and a bit around the back of the neck.

Here, I am under-stitching the jacket facing. I am using black thread top and bottom so it doesn't show any red on the black linen facing. I switched to red thread for the part around the back of the neck. The spot shown here is where those seams meet at the shoulder.

Now, I have basted the lining and facing bits to the jacket at the armholes, in preparation for inserting the sleeves. I have also flat felled all the seams that will show on the inside of the jacket, including the sleeves, even though I wouldn't roll the sleeves up or anything. I just like to know that when I take off the jacket, if someone sees the inside, it will be as nicely finished as the outside. The hard part left is finishing the armscye seams with the flat fell. I've done it before - that's why I know it's difficult.

Figuring out Chinese characters

Yesterday, I took a photo of the gold character on the fabric and ran over to my friend May's house and asked her to tell me what it was, or at least, which way was up.

The gold one seemed to me to be the most legible of the three large characters, so I thought I'd make sure it at least, was right side up. I had already pinned the dress pattern pieces on the fabric and had made the assumption that the three strokes with the vertical line were at the bottom of the character. May looked at it and said she wasn't sure what it was exactly, but she was pretty sure that the three lines would be at the top of the character, not the bottom.

Later, May came over with a book of Chinese characters and I spent some time poring over them. It is possible that the gold character is "biao" or "manifest" (show), although I don't know why that would be on fabric. I think that fabric is more likely to have zodiac characters, or words like "love" or "soup". [This is a reference to one of my favourite shows "Big Bang Theory" and the episode in which Sheldon asks Penny why she has a tattoo of "soup" on her hip. She says it is "courage", not "soup". It is discussed more here and someone has even posted a GIF of the two characters here.]

I couldn't manage to get the pattern pieces for the jacket with the pleat in the back to fit on the fabric, after I had pinned the dress on, even when I eliminated the pleat. So I went with a tried and true pattern, Simplicity 4698, which has lots of smaller pattern pieces that I can juggle around.

I managed to squeeze them all on there. At least, I got the main pieces on.

I knew I wasn't going to be able to get them all on, so I bought some black linen for all the facings. I am making the jacket with no collar but it has large front facings. Also, the dress has facings all around the top edges. I toyed with the idea of red linen facings but thought the black would make a nice contrast and then I wouldn't have to match the red. I also bought plain red lining as I have decided it will be best to line the entire dress. It kind of negates the point of linen being worn when it's hot but this is pretty substantial linen and I think the dress will hang much better lined.

Finally, instead of a back vent, I am going to make a side slit at the bottom of the dress. I made a back vent the first time I made this dress (last January, also in linen) and I wasn't happy with how it rode up when I bent over. I know I can just avoid bending over, but with the Chinese fabric and everything, I thought a side vent or slit would work.

The red Chinese linen

I have decided to whip up a dress and hopefully some kind of jacket combo in the red linen.

My big problem to start with, is that I don't know which way is "up"!

I remember the student who gave me this as a present, told me that one of the characters was "horse". I think it's that block at the bottom, which means that it is right side up. But I can't identify the other two big block characters - the other red one and the gold one. Does any reader here know? All the little gold characters go both ways, so it doesn't matter for them.

My other problem is getting a jacket out of the fabric. It is nice and wide and I am not worrying about matching characters and I am sure I can get a short sleeve (if not a 3/4 sleeve) out of it. But it's going to be tight. (Don't worry - I will make sure the pattern pieces are all the same way up, not like they are in the photo!)

I'm going to make this Vogue dress again. I made it last year in linen and wore it to a fundraiser as it was a hot day. I want to wear the red linen to the same fundraiser this year but I have no idea what the weather will be. It's at the end of April which shouldn't be that hot and it's freezing right now. I have another unlined jacket pattern that is much closer fitting (uses less fabric) so I'll see after I sort things out, which one it will be.

Finally, I made some pot holders for the wedding gifts and now I just have to decide how to wrap them. If I can't find the right sized box, I think I will go with the tried-and-true gift bag.

I'm back sewing linen

I would like to thank all my die-hard fans who keep checking this moribund blog and wishing me well in the comments. Not only am I not dead, I am doing great! But I have not been sewing since July and so I haven't blogged since then.

In July, I sewed up a cotton jacket and skirt outfit for my trip to California.
You can read all about the trip here if you like.
There is even a photo of me wearing that jacket (I paired it with a dark blue denim jean skirt that day) in this entry, meeting with a fellow dog blogger (not a sewing blogger, sorry!) that day.

Of course, I trailed off the end of that travel blog too, and have not written about our last three days in San Francisco, where I bought a couple of remnants at Britex Fabrics, a very cool store. I even became a fan of the store on Facebook, even though I may never get back to SF. But they have a fun "button du jour" on FB and as you may know, on FB, you can ignore whatever you like!

I was thinking I would make nice tops to go under jackets, with these silks. The gold on the left is a stiffer dupioni type silk and the print on the right is a soft, charmeuse silk.

In the meantime, I never finished that "gala dress" I was making. It just failed to inspire me in any way. But since I have my "rule" about not making a new thing until the current thing is finished, I stared at the unfinished bodice hanging on my dummy, week after week. I only went into my sewing room to iron shirts and darn socks. I tried my hand at writing some stories (I am still working on those). I decided I was not willing to go back and teach only 6 hours a week.

In November, one of my neighbours fell while running and broke both ankles, so I volunteered to walk her dog for her every night. Then another neighbour went in for a total knee replacement and I volunteered to walk her dog every morning. So I've been doing that. The one with the broken ankles has healed up nicely and she has taken over walking her dog again. The other has a younger dog and I am still walking him for exercise around the park. It gets me up in the morning, I get a little exercise and then Kathleen and I sit and have coffee and solve the world's problems.

Then, at Christmas, my parents announced that they were going to drive to Florida this year and stay for the month of February. They were going to just drive down and see where they would stay, once they got there. They are really good travellers but Dad is 81 this year and so I piped up, "What would you think if I went with you and shared the driving?" In fact, they seemed to brighten right up and said they thought that was a great idea. So I am going to Florida for a month!

When am I ever going to have this opportunity again? Maybe never, so I jumped at the chance. Some people might think I am a little crazy for wanting to spend an entire month with my folks but we get along great when they come to visit here and we are all pretty low maintenance. I told a girlfriend about it and she told me that she had gone to Spain some years ago, with her parents when they were in their 80s and she never regretted the memories that she made, especially now that they are gone.

So I decided I needed to make a travel dressing gown but first, I fished some linen out of my stash and I am making a dress and jacket. Not sure if I will take them to Florida, as linen wrinkles but I am halfway through them now, so there you go.

I am using Vogue 8146 for the first time. The jacket is similar to the other swing-back jacket I made out of linen here. It is also unlined. And the dress is virtually the same as a McCall's pattern (8017) that I used for years and years - just a shift with some darts.

I have this big hunk of very pale green linen and I had thought the print and it might go together but not really. They don't clash, but it's not a brilliant match.
Back here I also made a dark navy linen skirt and short, unlined jacket and I think I had in mind that all the pieces would mix and match. The embroidered linen is quite different in texture from the other three, lighter weight linens but I think I may be able to to some switching of skirts.

There is something about that swing, pleated back that I really like!

I decided to sew quite quickly, in spite of it being a new pattern. I am finishing some edges with a simple zigzag fold.

But I should have used pinking shears on the long edges of the dress. I am not going to flat fell those seams (so I can let them out or more hopefully, take them in, if my weight changes) so I have had to zigzag all down the edges to prevent raveling. I also decided not to line the dress, as it sort of defeats the purpose of linen being cool. I will probably wear a short half slip if I feel there is any possibility of seeing through the fabric.

So there! I am sort of caught up to date with you, my readers. I am sorry I haven't blogged in SO long and there'll be another dearth of blogging while I am away in February. And in case you are wondering, yes, my long--suffering husband has to stay home and earn a living. But I will email him and Skype when I get internet access so the time will pass pretty quickly I think. All the best to you-all!

Votes are in!

I got 16 votes, including one on Flickr. I thank you all for spending the time to look at these things! My husband says that the pictures don't really show how the buttons look but they are the best I can do. If I count his vote, I have 17 in total.

I got 5 for the small gold spiral. I got 3 for the brown plastic one. And I got 8 for the large gold one. I was leaning toward the large gold one all along, and in fact, when I was thinking buttons, before I even pulled them out of my stash, I thought of it as an option. I was concerned that it would be too sparkly and when I looked at the three finalists over and over, I started leaning toward the smaller gold spiral. It blends right into the jacket fabric, which is both good and bad, depending on the look you want to achieve. I also had a vote for doing the snap and no buttonhole thing but it is a little fiddly to be doing and undoing snaps and I am not a fan of fiddly. Form should follow function!

I am therefore going to make a large buttonhole, the size of the big gold one and sew on the big gold button. Then, if I have doubts or get weird looks, I can hand stitch the end of the buttonhole closed and take off the large button and go for a smaller one. How's that?

In the meantime, I have started back to work and am scrambling to finish the little silk tops for under jackets. I wore the embroidered linen to my first classes yesterday and felt very cute. :) But no one commented on it. :( I wore the cream silk top too. It was a hot day and although the college is sort of air conditioned, because I was not told my first class was in a different room, I had to sprint around the campus and was sweating freely by the time I found my proper classroom. I was glad I had on light and natural fabrics! Tomorrow is also supposed to be hot so I am thinking I will wear one of the new silk tops under a light cotton jacket with the shorter, "extra" navy linen skirt (that I got out of the left-over linen). We'll see.

Navy linen outfit, finished

Done! Well, mostly anyway.

I have put a line of basting down the edge of the facing, to keep it from bagging at the bottom, which is often a problem. I pressed the heck out of the fronts at the facings, because one was bagging more than the other. Then, while it was still flat on the ironing board, I basted the facing to the front.

Now that the buttons and buttonholes are done, I am thinking about pick stitching (in navy) where the basting is now. I have always had "issues" with facings - they flap open, the raw edge ravels even if it is finished. So if I pick stitch the edge of the facing to the front, I won't have those problems and I won't have bagging of the front. Hopefully, the hand stitching will be a design feature, especially because the jacket is quite plain to begin with. I have tried the jacket on and it is loose and therefore very comfortable, in that it doesn't bind anywhere. While I am thinking about it, I will cut out a cycling shirt for Peter.

Navy linen outfit

I have been picking away at the navy outfit. Once I am almost done an outfit, I tend to lose momentum because I start thinking about the next project. It is ever thus and therefore why I have my "rule" whereby I cannot start one project without completely finishing the one before.

I have got the skirt almost done. I put hangers on the facing because the other linen skirt kept falling off the hanger when I used wooden clothespins because it was extra long and extra heavy. i.e. I put hangers on it too. I have to hand sew around the zipper and hand sew the hem. All I have left is to machine sew the lining hem. Not too exciting - it's just a plain navy skirt.

Here is the back of the jacket before I pressed the hem.

And here is the benefit of pressing and clapping the hem. I have also added the two decorative buttons as detail to the back. All that is left is the front buttonholes and buttons.

Navy linen outfit

Forging ahead. But first, I had a question on an old post about sewing skirt linings to the zipper tape. On the recent linen skirt and on the one I am making now, I will hand sew the lining to the zipper tape.

This is not complicated and in fact, it is easier except for the time it takes, than machine sewing. I like machine sewing because it never lets go. Sometimes, in my hand sewing the original knot will come undone or something and then I have to re-stitch. But you don't see the stitching from the outside and it is more elegant.

When I machine sew my lining down, I pin it from the wrong side and then sew it from the outside, running the line of stitching down the original line where the zipper was sewed in the first place. You can see this on the outside of this peach skirt - the two lines of stitching, one on top of the other. The trouble I run into with machine sewing is that sometimes I miss catching the lining on the inside and then I have to either sew it a third time or do it by hand.

On this navy skirt and the previous linen skirt, the pattern called for the use of grosgrain ribbon at the top instead of a facing. I also decided to line the skirt which is a simple enough thing to do.

Once the ribbon is sewn on, you just trim the seam and fold it over and tuck in the raw end of the ribbon by the zipper. I haven't worn the linen skirt yet so I don't know if the ribbon might feel uncomfortable at the top, especially as this is a high-waisted skirt but since it is high-waisted, I plan to tuck in whatever shirt I am wearing so I hope it won't be an issue.

I decided to set the sleeve in first, before I sewed up the underarm seam, because it is generally a little easier to get it in flat that way.

Then I trim the seam and sew on the double fold bias tape to finish it (since there isn't a lining with this jacket). I am using purchased tape because it is easier to let some machine in a factory make it uniform and nicely folded. But they only had one package of navy when I bought it and I think I will have to go back for a second package because, now that I am doing the sleeve this way, I might as well put seam binding all the way down the entire underarm seam including that of the sleeve as well. Of course, you can't do any of this if the sleeve seam doesn't match the side seam of the body of the jacket.

There is a white ribbon tied at Rose's waist and you can see that this jacket, while not a bolero length, is short. That's why I went with a high-waisted skirt.

Navy linen outfit

July 14
I have put the zipper in the navy skirt. (It doesn't look navy at all, but that's a trick of the light.)

As usual, I machine baste the opening edges together and then pin the zipper from the inside, pinning down the middle of the zipper tape. Then I baste down the outside edges of the zipper tape, because I sew down the middle from the right (outside) side and I don't want to try to pick basting thread out from machine sewed thread.

Here's the back of the jacket showing the one large pleat. I put the jacket on Rose inside out to show it from the wrong side.

Here's a close-up of the shoulder seam. I am putting seam binding on only one side of this seam to finish it. The other side, I zigzagged to make it more sturdy for future long-term wearing, but it will be covered by the front facing so I don't need to put seam binding on both sides of the seam.

And here is where I am tonight, hand sewing the collar facing in between the edges of the front facings. I often machine sew these things but when I am trying to achieve a more couture look, I will make the effort and hand sew with tiny stitches.